In the autumn of 1948, on the Rue Lepic in Paris, a momentous scene unfolded that would be immortalized through the lens of photographer Walter Carone. It was a moment that would come to define an era in fashion history and solidify the name of Christian Dior as a revolutionary force in the industry. The image captured by Carone depicted a young woman whose clothes were literally torn, a symbol of the fashion scandal that had unfolded in 1947 on the Champs Élysées.
The year 1947 marked a turning point in the world of fashion, with Christian Dior unveiling his iconic 'New Look' collection that would forever change the silhouette of women's clothing. The collection featured full, voluminous skirts that emphasized a tiny waist, a stark departure from the more utilitarian and rationed designs of the wartime era. This dramatic shift in fashion sparked controversy and debate, with some women embracing the new style while others were furious at what they saw as a return to restrictive and impractical clothing.
Will Gompertz, in his review of Christian Dior: Designer of Fashion Scandal of 1947 on the Champs Élysées, captures the essence of the tumultuous period in fashion history. The unveiling of Dior's collection on the prestigious Champs Élysées was met with both awe and outrage, as the designer's bold vision clashed with the prevailing sentiments of the time. The collection would go on to revolutionize the fashion industry and establish Dior as a visionary couturier.
The photographs taken by Walter Carone during this period offer a glimpse into the world of 1950s fashion, showcasing the stunning beauty of women dressed in Dior's exquisite creations. The images capture the elegance and glamour of the era, with models exuding confidence and grace in their luxurious garments. Carone's keen eye for detail and composition brings to life the essence of Dior's designs, highlighting the intricate craftsmanship and timeless appeal of the brand.
In The Independent's article, 'When skirts were full and women were furious', the legacy of Dior's 'New Look' collection is explored in depth. The controversial nature of the collection is examined, with a focus on the societal implications of the restrictive silhouettes and opulent fabrics. The article delves into the cultural significance of Dior's designs, shedding light on the broader context in which they were created and received.
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